Coaching Diaries - Week 2
'Today I feel fine.'
'Again, but higher.'
'Today I feel fine?'
'Higher still.'
'TODAY I FEEL FINE!'
'Perfect. Now do it again, but somewhere in the middle.'
This was roughly ten minutes of a recent coaching session, and I promise it made more sense in the room than it does written down. My client was repeating the same five words over and over, climbing and dropping through his vocal range like he was tuning an instrument. Which, in a way, he was.
We talk a lot about content in coaching. What to say, how to structure it, where the pauses go. But this session was almost entirely about tone, and specifically, where in your range you're actually speaking from.
The One to Ten Scale
I use a simple scale with clients: one to ten, one being flat and monotone, ten being so high it sounds unnatural or forced. Most people who struggle with engagement are living somewhere around a three or a four. Safe. Steady. Also, if we're honest, a bit boring.
The sweet spot for effective public speaking sits between four and seven. Not because there's anything magic about those numbers, but because that's the range where you can move. You can drop for weight, rise for energy, and the audience actually notices the shift. If you're stuck at a flat four the whole time, there's nowhere to go, and nothing signals to the listener that anything is changing.
We spent a good chunk of the session just humming, moving up and down that scale in small steps, before applying it to actual speech. It sounds like a strange way to spend a coaching session. It is a strange way to spend a coaching session. It also works.
Tone Is Not the Same as Emotion
Here's something that tends to surprise clients. Tone and emotion often travel together, but they're not actually the same thing. You don't need to genuinely feel excited to sound engaging. You can use tone to simulate that energy for an audience, even when the content itself is dry.
This came up because my client admitted that when he's talking about certain work topics, ones he doesn't personally find interesting, his tone flattens without him noticing. Which is completely normal. But it's also, I'd argue, the speaker's job to fix. The audience shouldn't have to share your enthusiasm gap. If the content feels mundane, that's exactly when tone has to do more of the work, not less.
Some of the most compelling speakers I've watched are ones who can make genuinely unremarkable material sound gripping, purely through tonal variety and physicality. I've seen someone hold a room for fifteen minutes with nothing more than a story about a cancelled flight. Nothing dramatic happened in that story. It was the telling of it that made it land.
Treat It Like a Game.
That's really the heart of good storytelling. Treat the delivery like a game you're trying to win, regardless of how interesting the actual subject matter is. Your job isn't to have exciting content, it's to make the content exciting. Those are different skills, and the second one is entirely learnable.
What Technology Can't Do
My client mentioned he's been trying to self coach between our sessions, filming himself on a tripod and running the footage through various tools to check his content. Sensible enough. But I keep coming back to the same point with clients who ask about this. Technology can help with structure, wording, even pacing to some extent. What it genuinely cannot do is tell you how a tonal shift actually lands on a listener, or catch the moment your voice has flattened without you realising. That still needs a human ear.
A Word on Confidence and Culture
One thing that came up almost as an aside, but which I think about a lot, is how much culture shapes confidence. I've noticed that in more socially open environments, where strangers chat more freely and interactions carry less formality, people generally seem to find public speaking a little less daunting than in more reserved cities. It's not the whole picture by any means, but it's a reminder that confidence isn't purely an individual trait. Environment plays its part too.
So if you're working on your own delivery, try the daft exercise. Pick a boring sentence, any sentence, and say it five times at five different pitches. You'll feel ridiculous. You'll also start to hear, properly hear, just how much range you've been sitting on without using it.
Right, I'm off to hum in a stairwell somewhere. As you do.




